subject_definitions: <Subject 1> is the woman shown in… | Deepfake AI видео

Промпт (текст в видео), по которому сгенерирован этот ролик

subject_definitions: <Subject 1> is the woman shown in <Picture 1>, keeping her exact facial features, hairstyle, and skin appearance from the reference image — including her single large central eye and no second eye, and her long hair in its exact reference colors: teal at the roots fading into coral pink at the tips. <Picture 2> shows the outfit worn by <Subject 1>: she wears exactly this outfit — a beige zip-up bomber jacket, a navy plaid scarf, and a bright orange pleated skirt. <Subject 2> is the woman shown in <Picture 3>: a young woman with a split-dye bob, pastel pink on one side and black on the other, straight blunt bangs, wearing a black oversized t-shirt and black fishnet fingerless gloves. Only her identity is taken from <Picture 3>; her bedroom, her phone, and her pose are discarded. <Subject 3> is the sea itself: a grey-green sea stretching to the horizon under an overcast sky. summary: [reference generation] The target video is a single horizontal side-view shot, TIGHT upper-body framing (from mid-chest to the top of the heads), of two women standing side by side at a seaside pier railing: at the start their hands are EMPTY and no prop is anywhere in frame; each woman reaches DOWN out of frame and brings up her instrument from below — the egirl her binoculars, the cyclop a long spyglass — the egirl gazes far out to sea, the cyclop watches her with a sad, envious look and imitates her while sad piano music plays — then the music stops dead, they lower their instruments, turn to each other, and the camera swings around to face them as they burst out laughing looking at each other. No dialogue. retention_analysis: <Subject 1> (appears in [Shot 1]): partially_preserved - her facial features, hairstyle, hair color, and skin appearance from <Picture 1> are retained unchanged — teal at the roots fading into coral pink at the tips — including exactly one central eye and no second eye; her surroundings are replaced by a seaside pier. <Picture 2> (appears in [Shot 1]): partially_preserved - the outfit is worn by <Subject 1>. <Subject 2> (appears in [Shot 1]): partially_preserved - her face, split pink-and-black hair, and black t-shirt with fishnet fingerless gloves are retained; her bedroom and phone are replaced by the pier. detailed_description: The target video is a single continuous live-action shot filmed from the SIDE in a TIGHT upper-body framing on a seaside pier at dusk under an overcast sky: the frame shows the two women from mid-chest to the top of their heads, their faces and shoulders large and readable, nothing else in the frame but the railing, the sea and a few seagulls. [Shot 1] <Subject 1>, the woman from <Picture 1>, and <Subject 2>, the woman from <Picture 3>, stand side by side at the pier's metal railing, both in profile view facing the grey-green sea of <Subject 3>, their hair and clothes moving slightly in the sea breeze. AT THE START NEITHER WOMAN HOLDS ANYTHING: no binoculars, no spyglass, no prop is visible in the frame — their hands are empty on the railing. <Subject 1> wears her beige bomber jacket with the navy plaid scarf from <Picture 2>; <Subject 2> wears her black oversized t-shirt and black fishnet fingerless gloves, her split pink-and-black bob blowing gently. For the first two seconds they simply lean on the railing gazing at the sea, a sad, slow piano melody with soft strings playing underneath the scene. At 00:02.000, <Subject 2>'s hands DIP DOWN OUT OF FRAME below the bottom edge and COME BACK UP holding a pair of black binoculars, which she raises to her eyes in one smooth continuous motion — the binoculars must rise WITH her hands from below, never appearing out of thin air — and she gazes far out toward the horizon, her shoulders rounded. <Subject 1> turns her head slowly toward her, and her single large eye — no second eye exists on her face at any point in the video, no additional eye ever opens or appears — looks at her with a soft, sad, envious expression, her lips pushed out in a small pout. Then <Subject 1>'s hand DIPS DOWN OUT OF FRAME and COMES BACK UP holding a long brass-and-black spyglass ALREADY EXTENDED to its full length, and she presses it to her own single eye in the same smooth continuous rise — again, the spyglass travels UP with her hand and never pops into existence — imitating her friend exactly: same posture, same direction, same melancholy stare out at the empty horizon, both women standing perfectly still side by side, the sad music swelling gently. At 00:06.000 the music stops DEAD, mid-phrase, in absolute silence: both women lower their instruments at the same time — the binoculars and the long spyglass dropping DOWN out of frame — and they turn their heads toward each other and make eye contact. In the last two seconds the CAMERA SWINGS around in a smooth arc to FACE the two women from the front, and in this frontal view they EXPLODE with laughter looking at each other: <Subject 1> doubles forward with uncontrollable laughter, her coral-tipped hair falling over her face, while <Subject 2> throws her head back cackling, both of them laughing hard at each other as the shot ends. overall_soundscape: Soft seaside ambience: gentle waves against the pier pilings, wind, a few distant seagull cries, and the quiet rustle of jackets; the sad music comes only from the score and stops abruptly; then loud warm overlapping laughter from both women fills the quiet. non_diegetic_music: A slow, melancholy solo piano with soft string swells, quiet and aching, from the start of the shot until 00:06.000, where it stops abruptly mid-phrase and does not return.